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A
abbrev
ABEND
accumulator
ACK
There is also a usage "ACK?" (from sense 1) meaning "Are you there?", often used in email when earlier mail has produced no reply, or during a lull in talk mode to see if the person has gone away (the standard humorous response is of course NAK (sense 2), i.e., "I'm not here").
Acme
This term, specially cherished by American hackers and explained here for the benefit of our overseas brethren, comes from the Warner Brothers' series of "Roadrunner" cartoons. In these cartoons, the famished Wile E. Coyote was forever attempting to catch up with, trap, and eat the Roadrunner. His attempts usually involved one or more high-technology Rube Goldberg devices -- rocket jetpacks, catapults, magnetic traps, high-powered slingshots, etc. These were usually delivered in large cardboard boxes, labeled prominently with the Acme name. These devices invariably malfunctioned in violent and improbable ways.
acolyte
ad-hockery
Ada
adger
admin
ADVENT
This game defined the terse, dryly humorous style since expected in text adventure games, and popularized several tag lines that have become fixtures of hacker-speak: "A huge green fierce snake bars the way!" "I see no X here" (for some noun X). "You are in a maze of twisty little passages, all alike." "You are in a little maze of twisty passages, all different." The `magic words' xyzzy and plugh also derive from this game.
Crowther, by the way, participated in the exploration of the Mammoth & Flint Ridge cave system; it actually *has* a `Colossal Cave' and a `Bedquilt' as in the game, and the `Y2' that also turns up is cavers' jargon for a map reference to a secondary entrance.
AFAIK
AFJ
AI
AI-complete
Examples of AI-complete problems are `The Vision Problem' (building a system that can see as well as a human) and `The Natural Language Problem' (building a system that can understand and speak a natural language as well as a human). These may appear to be modular, but all attempts so far (1996) to solve them have foundered on the amount of context information and `intelligence' they seem to require. See also gedanken.
AI koans
AIDS
AIDX
airplane rule
aliasing bug
Historical note: Though this term is nowadays associated with C programming, it was already in use in a very similar sense in the Algol-60 and FORTRAN communities in the 1960s.
all-elbows
alpha particles
alt
alt bit
altmode
Aluminum Book
amoeba
amp off
amper
angle brackets
angry fruit salad
annoybot
ANSI
AOS
Historical note: AOS in sense 1 was the name of a PDP-10 instruction that took any memory location in the computer and added 1 to it; AOS meant `Add One and do not Skip'. Why, you may ask, does the `S' stand for `do not Skip' rather than for `Skip'? Ah, here was a beloved piece of PDP-10 folklore. There were eight such instructions: AOSE added 1 and then skipped the next instruction if the result was Equal to zero; AOSG added 1 and then skipped if the result was Greater than 0; AOSN added 1 and then skipped if the result was Not 0; AOSA added 1 and then skipped Always; and so on. Just plain AOS didn't say when to skip, so it never skipped.
For similar reasons, AOJ meant `Add One and do not Jump'. Even more bizarre, SKIP meant `do not SKIP'! If you wanted to skip the next instruction, you had to say `SKIPA'. Likewise, JUMP meant `do not JUMP'; the unconditional form was JUMPA. However, hackers never did this. By some quirk of the 10's design, the JRST (Jump and ReSTore flag with no flag specified) was actually faster and so was invariably used. Such were the perverse mysteries of assembler programming.
app
arena
arg
ARMM
ARMM's bug produced a recursive cascade of messages each of which mechanically added text to the ID and Subject and some other headers of its parent. This produced a flood of messages in which each header took up several screens and each message ID and subject line got longer and longer and longer.
Reactions varied from amusement to outrage. The pathological messages crashed at least one mail system, and upset people paying line charges for their Usenet feeds. One poster described the ARMM debacle as "instant Usenet history" (also establishing the term despew), and it has since been widely cited as a cautionary example of the havoc the combination of good intentions and incompetence can wreak on a network. Compare .
armor-plated
asbestos
asbestos cork award
asbestos longjohns
ASCII
Computers are much pickier and less flexible about spelling than humans; thus, hackers need to be very precise when talking about characters, and have developed a considerable amount of verbal shorthand for them. Every character has one or more names -- some formal, some concise, some silly. Common jargon names for ASCII characters are collected here. See also individual entries for .
This list derives from revision 2.3 of the Usenet ASCII pronunciation guide. Single characters are listed in ASCII order; character pairs are sorted in by first member. For each character, common names are given in rough order of popularity, followed by names that are reported but rarely seen; official ANSI/CCITT names are surrounded by brokets: <>. Square brackets mark the particularly silly names introduced by INTERCAL. The abbreviations "l/r" and "o/c" stand for left/right and "open/close" respectively. Ordinary parentheticals provide some usage information.
! Common: bang; pling; excl; shriek; <exclamation mark>. Rare: factorial; exclam; smash; cuss; boing; yell; wow; hey; wham; eureka; [spark-spot]; soldier.
" Common: double quote; quote. Rare: literal mark; double-glitch; <quotation marks>; <dieresis>; dirk; [rabbit-ears]; double prime.
# Common: number sign; pound; pound sign; hash; sharp; crunch; hex; [mesh]. Rare: grid; crosshatch; octothorpe; flash; <square>, pig-pen; tictactoe; scratchmark; thud; thump; splat.
$ Common: dollar; <dollar sign>. Rare: currency symbol; buck; cash; string (from BASIC); escape (when used as the echo of ASCII ESC); ding; cache; [big money].
% Common: percent; <percent sign>; mod; grapes. Rare: [double-oh-seven].
& Common: <ampersand>; amper; and. Rare: address (from C); reference (from C++); andpersand; bitand; background (from `sh(1)'); pretzel; amp. [INTERCAL called this `ampersand'; what could be sillier?]
' Common: single quote; quote; <apostrophe>. Rare: prime; glitch; tick; irk; pop; [spark]; <closing single quotation mark>; <acute accent>.
( )
Common: l/r paren; l/r parenthesis; left/right; open/close; paren/thesis; o/c paren; o/c parenthesis; l/r parenthesis; l/r banana. Rare: so/already; lparen/rparen; <opening/closing parenthesis>; o/c round bracket, l/r round bracket, [wax/wane]; parenthisey/unparenthisey; l/r ear.
* Common: star; [splat]; <asterisk>. Rare: wildcard; gear; dingle; mult; spider; aster; times; twinkle; glob (see glob); Nathan Hale.
+ Common: <plus>; add. Rare: cross; [intersection].
, Common: <comma>. Rare: <cedilla>; [tail].
- Common: dash; <hyphen>; <minus>. Rare: [worm]; option; dak; bithorpe.
. Common: dot; point; <period>; <decimal point>. Rare: radix point; full stop; [spot].
/ Common: slash; stroke; <slant>; forward slash. Rare: diagonal; solidus; over; slak; virgule; [slat].
Common
; Common: <semicolon>; semi. Rare: weenie; [hybrid], pit-thwong.
< > Common: <less/greater than>; bra/ket; l/r angle; l/r angle bracket; l/r broket. Rare: from/{into, towards}; read from/write to; suck/blow; comes-from/gozinta; in/out; crunch/zap (all from UNIX); [angle/right angle].
= Common: <equals>; gets; takes. Rare: quadrathorpe; [half-mesh].
? Common: query; <question mark>; ques. Rare: whatmark; [what]; wildchar; huh; hook; buttonhook; hunchback.
@ Common: at sign; at; strudel. Rare: each; vortex; whorl; [whirlpool]; cyclone; snail; ape; cat; rose; cabbage; <commercial at>.
V Rare: [book].
[ ] Common: l/r square bracket; l/r bracket; <opening/closing bracket>; bracket/unbracket. Rare: square/unsquare; [U turn/U turn back].
\ Common: backslash; escape (from C/UNIX); reverse slash; slosh; backslant; backwhack. Rare: bash; <reverse slant>; reversed virgule; [backslat].
^ Common: hat; control; uparrow; caret; <circumflex>. Rare: chevron; [shark (or shark-fin)]; to the (`to the power of'); fang; pointer (in Pascal).
_ Common: <underline>; underscore; underbar; under. Rare: score; backarrow; skid; [flatworm].
` Common: backquote; left quote; left single quote; open quote; <grave accent>; grave. Rare: backprime; [backspark]; unapostrophe; birk; blugle; back tick; back glitch; push; <opening single quotation mark>; quasiquote.
{ } Common: o/c brace; l/r brace; l/r squiggly; l/r squiggly bracket/brace; l/r curly bracket/brace; <opening/closing brace>. Rare: brace/unbrace; curly/uncurly; leftit/rytit; l/r squirrelly; [embrace/bracelet].
| Common: bar; or; or-bar; v-bar; pipe; vertical bar. Rare: <vertical line>; gozinta; thru; pipesinta (last three from UNIX); [spike].
~ Common: <tilde>; squiggle; twiddle; not. Rare: approx; wiggle; swung dash; enyay; [sqiggle (sic)].
The pronunciation of `#' as `pound' is common in the U.S. but a bad idea; Commonwealth Hackish has its own, rather more apposite use of `pound sign' (confusingly, on British keyboards the pound graphic happens to replace `#'; thus Britishers sometimes call `#' on a U.S.-ASCII keyboard `pound', compounding the American error). The U.S. usage derives from an old-fashioned commercial practice of using a `#' suffix to tag pound weights on bills of lading. The character is usually pronounced `hash' outside the U.S. There are more culture wars over the correct pronunciation of this character than any other, which has led to the ha ha only serious suggestion that it be pronounced `shibboleth' (see Judges 12.6 in a Christian Bible).
The `uparrow' name for circumflex and `leftarrow' name for underline are historical relics from archaic ASCII (the 1963 version), which had these graphics in those character positions rather than the modern punctuation characters.
The `swung dash' or `approximation' sign is not quite the same as tilde in typeset material but the ASCII tilde serves for both (compare angle brackets).
Some other common usages cause odd overlaps. The `#', `$', `>', and `&' characters, for example, are all pronounced "hex" in different communities because various assemblers use them as a prefix tag for hexadecimal constants (in particular, `#' in many assembler-programming cultures, `$' in the 6502 world, `>' at Texas Instruments, and `&' on the BBC Micro, Sinclair, and some Z80 machines). See also splat.
The inability of ASCII text to correctly represent any of the world's other major languages makes the designers' choice of 7 bits look more and more like a serious misfeature as the use of international networks continues to increase (see software rot). Hardware and software from the U.S. still tends to embody the assumption that ASCII is the universal character set and that characters have 7 bits; this is a a major irritant to people who want to use a character set suited to their own languages. Perversely, though, efforts to solve this problem by proliferating `national' character sets produce an evolutionary pressure to use a *smaller* subset common to all those in use.
ASCII art
o----)||(--+--|<----+ +---------o + D O L )||( | | | C U A I )||( +-->|-+ | +-\/\/-+--o - T C N )||( | | | | P E )||( +-->|-+--)---+--)|--+-o U )||( | | | GND T o----)||(--+--|<----+----------+
A power supply consisting of a full wave rectifier circuit feeding a capacitor input filter circuit
And here are some very silly examples:
|\/\/\/| ____/| ___ |\_/| ___ | | \ o.O| ACK! / \_ |` '| _/ \ | | =(_)= THPHTH! / \/ \/ \ | (o)(o) U / \ C _) (__) \/\/\/\ _____ /\/\/\/ | ,___| (oo) \/ \/ | / \/-------\ U (__) /____\ || | \ /---V `v'- oo ) / \ ||---W|| * * |--| || |`. |_/\
//-o-\\ ____---=======---____ ====___\ /.. ..\ /___==== Klingons rule OK! // ---\__O__/--- \\ \_\ /_/
There is an important subgenre of ASCII art that puns on the standard character names in the fashion of a rebus.
+--------------------------------------------------------+ | ^^^^^^^^^^^^ | | ^^^^^^^^^^^ ^^^^^^^^^ | | ^^^^^^^^^^^^^ ^^^^^^^^^^^^^ | | ^^^^^^^ B ^^^^^^^^^ | | ^^^^^^^^^ ^^^ ^^^^^^^^^^^^^^ | +--------------------------------------------------------+ " A Bee in the Carrot Patch "
Within humorous ASCII art, there is for some reason an entire flourishing subgenre of pictures of silly cows. Four of these are reproduced in the silly examples above, here are three more:
(__) (__) (__) (\/) ($$) (**) /-------\/ /-------\/ /-------\/ / | 666 || / |=====|| / | || * ||----|| * ||----|| * ||----|| ~~ ~~ ~~ ~~ ~~ ~~ Satanic cow This cow is a Yuppie Cow in love
Finally, here's a magnificent example of ASCII art depicting an Edwardian train station in Dunedin, New Zealand:
.-. /___\ |___| |]_[| / I \ JL/ | \JL .-. i () | () i .-. |_| .^. /_\ LJ=======LJ /_\ .^. |_| ._/___\._./___\_._._._._.L_J_/.-. .-.\_L_J._._._._._/___\._./___\._._._ ., |-,-| ., L_J |_| [I] |_| L_J ., |-,-| ., ., JL |-O-| JL L_J%%%%%%%%%%%%%%%L_J JL |-O-| JL JL IIIIII_HH_'-'-'_HH_IIIIII|_|=======H=======|_|IIIIII_HH_'-'-'_HH_IIIIII_HH_ -------[]-------[]-------[_]----\.=I=./----[_]-------[]-------[]--------[]- _/\_ ||\\_I_//|| _/\_ [_] []_/_L_J_\_[] [_] _/\_ ||\\_I_//|| _/\_ ||\ |__| ||=/_|_\=|| |__|_|_| _L_L_J_J_ |_|_|__| ||=/_|_\=|| |__| ||- |__| |||__|__||| |__[___]__--__===__--__[___]__| |||__|__||| |__| ||| IIIIIII[_]IIIII[_]IIIIIL___J__II__|_|__II__L___JIIIII[_]IIIII[_]IIIIIIII[_] \_I_/ [_]\_I_/[_] \_I_[_]\II/[]\_\I/_/[]\II/[_]\_I_/ [_]\_I_/[_] \_I_/ [_] ./ \.L_J/ \L_J./ L_JI I[]/ \[]I IL_J \.L_J/ \L_J./ \.L_J | |L_J| |L_J| L_J| |[]| |[]| |L_J |L_J| |L_J| |L_J |_____JL_JL___JL_JL____|-|| |[]| |[]| ||-|_____JL_JL___JL_JL_____JL_J
There is a newsgroup, alt.ascii.art, devoted to this genre; however, see also warlording.
ASCIIbetical order
atomic
Computer usage, in either of the above senses, has none of the connotations that `atomic' has in mainstream English (i.e. of particles of matter, nuclear explosions etc.).
attoparsec
autobogotiphobia
automagically
This term is quite old, going back at least to the mid-70s and probably much earlier. The word `automagic' occurred in advertising (for a shirt-ironing gadget) as far back as the late 1940s.
avatar
awk
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Created by: jargon2html v1.2 at Mon Oct 5 14:26:37 1998 -- Steve Lumos